Cirilia Rose Taps into All Aspects of the Knitting Persona in Magpies, Homebodies, and Nomads

According to Cirilia Rose, there are three moods to knitters' personalities. We're Magpies, collecting small amounts of precious yarns and not always knowing quite what to do with them. We're Homebodies, sometimes preferring the quiet of our own perch. And we're also Nomads, venturing into the world to meet friends and gather inspiration. Of course, on different days and times in our lives, we might be more one than another. 

MAGPIES

 

HOMEBODIES
 

NOMADS

In Rose's new book, Magpies, Homebodies, and Nomads: A Modern Knitter's Guide to Discovering and Exploring Style, Rose explores these three different moods with a 25-piece collection of handknits. An astute cultural observer, Rose also shares engaging stories about her experiences as a designer, stylist, and world traveler, and her eclectic tips for capturing and honing personal style.

Rose's sensitive presentation is made all the more special with gorgeous photography by Jared Flood of Brooklyn Tweed. View more from the book in our image gallery, plus our project pattern library on ravelry.

Celebrate Fall by Knitting-A-Long with Guest Blogger and STC Craft Author Katie Startzman

Hello! I’m Katie Startzman, author of STC Craft’s The Knitted Slipper Book. I blog at Duo Fiberworks with my twin sister Laura Poulette. Thanks to STC Craft for inviting me to guest post here!


We will soon be deep into slipper season—blustery, gray days and downright cold starlit nights. As someone who delights in making and wearing slippers, I look forward to this time of year. It’s an opportunity of pile on the handknits, make lots of soup, and catch up on my reading by the woodstove. But we’re not quite there yet. Here in Kentucky, we still have a good long stretch of crisp Fall weather ahead of us, and the layers I put on in the morning get peeled off as the day warms up.

To celebrate the changing seasons, I wanted to do a knit-a-long that featured a pair of slippers that would be a good fit for this transitional time of year. The Cotton Loafers from The Knitted Slipper Book are shoe-like slippers that are made from soft organic cotton and rustic jute twine. They’re my knitted mash-up of boat shoes, espadrilles, and loafer moccs. They feature functional leather lacing, and the thick jute sole is sturdy and comfy.

 


I’ll be hosting the knit-a-long on my blog, over the next two weeks. In a series of posts, I’ll share tips and tricks to knitting these quick-to-finish, stylish slippers. You can view the first post here. Since many folks are unaccustomed to knitting with jute, I’ll also be sharing a free pattern that combines the cotton and jute to make a mini-tote.

Thanks to Blue Sky Alpacas, we have giveaways planned too—a sweet kit of organic worsted cotton yarn, jute, and a hand-stenciled canvas project bag made by yours truly.

**To enter the giveaway here, leave a comment between now and Friday, September 26 sharing something that you love about this time of year.** The winner will be announced on Monday, September 29.

Be sure to join us at Duo Fiberworks in the coming days to knit with us and for a chance to win a kit over there too. Here’s the schedule:

Monday, September 22:      Inspiration and design

Thursday, September 25:    Knitting the jute sole, project kit giveaway begins.     
    
Monday, September 29:      Knitting the slipper upper: Also share free pattern for the Bird Nest Mini-Tote

Thursday,  October 2:         Seaming and finishing details, announce giveaway winner

Looking Back + Looking Forward with Kaffe

One of the highlights of my year was celebrating the publication of Kaffe Fassett's autobiography: Kaffe Fassett: Dreaming in Color. Kaffe spent much of his childhood in Big Sur, California, where his parents built the famous Nepenthe restaurant. The wild California coastline and the bohemian cast of characters who passed through Nepenthe made a significant impact on Kaffe's view of the world and so, when it was time to organize a book tour, we knew we wanted to have an event there. And I knew I wanted to attend the celebration! Kaffe shared the news with his family, and they welcomed me so warmly that I felt like I somehow belonged. I had spent hundreds of hours working on the book and then, before my eyes, it seemed to come to life. Everything was new to me yet it was familiar--the original log cabin, the artwork on the walls, the food, the landscape, the view, the people. I snapped a bunch of photos with my phone. They don't provide a comprehensive look at the event or the place but I do hope they portray the joy of the experience!

 

Above: Kaffe signing books. Despite a pretty serious rainstorm, friends, family, and fans happily made the trip to the celebration.

 

Above: The signing took place inside the Phoenix Shop at Nepenthe. The two-story shop sells a selection of Kaffe's work as well as the work of other family memebers, plus an eclectic treasure trove of clothing, jewelry, homewares, and books. That's Kaffe's niece Erin at top right, his sister Holly on the left side of the second row, and his partner Brandon and niece Winona in the bottom center.

 

Above: Around the idyllic property. That's me in the pink sweater, and Kaffe and his niece Romney in the bottom row. Behind that painted wooden fence is the original log cabin, where family members still reside. At top center is Cafe Kevah, another casual eatery on the property. As soon as we arrived Romney ordered me a glass of Gary's Lucia Pinot Noir from a nearby vineyard. Seven hundred feet above the Pacific, the scene was set. Perfection I will never forget.

And so, it is with this special memory at the forefront of my mind, that I look back at 2012 with gratitude and look forward to 2013 with hope.

Happy New Year!

 

 

A Knitter Gives Back: A Guest Blog Post from Leigh Radford of Portland, OR

Leigh Radford is the author of three STC Craft books: AlterKnits, AlterKnits Felt, and One More Skein. She is also the author of One Skein. Leigh and I have been friends ever since we worked together on Interweave Knits magazine. Always generous, she recently completed a beautiful, colorful community knitting project. When I heard about it, I asked her if she would write a guest blog post for us and she--generously--agreed.

 

Above: Albers Stash Blanket, a field of knitted dreams for the Portland community (photo here and below by Beth Conyers).


Knitting is one of my favorite activities.  What began as a childhood hobby has transformed into a career that continues to evolve.

In May 2011 I completed 3-1/2 years of study and earned a bachelor of fine art in craft degree from Oregon College of Art and Craft. The time I spent at OCAC was amazing and, frankly, very self-absorbed. When I finished I took time to reflect on the support I had received from my friends and family and also from my community.

I feel fortunate to have grown up in Oregon and to make my home in Portland. I love living here. The environment, the people, and yes, even the rain--it all feels like home to me. I wanted to give back in some way that would benefit the community that helps nurture my creativity and I wanted to reconnect with people outside of the art school campus.

While pondering possibilities, I thumbed through a copy of One More Skein, the book I finished writing during my first semester back in school. I stopped when I reached the Albers Stash Blanket. I designed this project to celebrate my love of color and my desire to artfully use leftover yarn in my stash. I knew that this project could easily be worked on by a group of knitters--the perfect way to reconnect and give back, and it was right under my nose!

I posted the pattern on my Facebook page and asked  knitters to send me completed panels to assemble into blankets that I would donate to three Portland nonprofits: Cascade Aids Project, p:ear, and Raphael House. Alternatively, I asked them to coordinate similar efforts in their own communities. 

Lantern Moon generously donated knitting needles so that I could start multiple panels and then hand them off to other knitters to complete. I love that this was a joint effort—a community of those who love to knit working together to create something for others. As the deadline approached, I found myself lurking around my mailbox each day to see if a new panel might arrive.

The Albers Stash Blanket is a simple project and versatile enough to incorporate into my daily routine. I brought panels with me to meetings and social events. As I worked a panel, I eagerly anticipated choosing the next color. Sometimes I found myself knitting faster so I could get to it. 

This spring I proudly delivered four blankets to the chosen organizations on behalf of everyone who contributed their time and talents: Michele Lee Bernstein, Linda Blum, Anne Bressler, Jody Creasman, Close Knit, Erin Derr, Liz Hawthorne, Christie Heinonen, Sue Hill, Laura Irwin,  Loretta Kelly, Debbie Kenyon, MaryBeth Lynn, Aileen Mann, Tamsyn Mihalus, Kristin Spurkland, Twisted Yarn Shop, Laurie Undis, Cathy Woodcock, and Sharon Woodcock.

I began this project thinking I was the one giving a gift.  In truth, I feel like I have received one. This project created an opportunity for me to spend time with friends, old and new, and to learn more about three local nonprofits and how I can participate in them in a positive way going forward.

I continue to find inspiration within my Portland community and ask that you think about how you might use your time and talent to connect with others in your community as you reach for your knitting needles to work another row of stitches.

Above: Leigh puts finishing touches on the four blankets donated by the community. 

Q + A with Denyse Schmidt

 

Denyse at work in her studio in Bridgeport, CT

One of the best parts of my job is meeting fabolously creative people and then having the opportunity to work with them (pretty much a dream come true!). I was thrilled to meet quilter Denyse Schmidt a few years ago (introduced by our mutual friend and another STC Craft author Heather Ross). I am even more thrilled and proud today to announce that we have just published Denyse's new book, Denyse Schmidt Modern Quilts, Traditional Inspiration: 20 New Designs with Historic Roots. Denyse is one of the hardest-working and most passionate people I know. When I think back on the year and a half she spent working on this book, the phrase blood, sweat, and tears comes to mind, though I'm not sure she literally put blood into it (she never mentioned any slips with the scissors). However, I can say with full confidence that she put love (for the quilts of the past and the new ones she created), sweat (over the hard work), and tears (because she wanted it to be perfect) into it. And the result is, well, as perfect as a book can be. Recently, both of us feeling a little more relaxed than we were a few months ago, sat down for this Q&A:

 Describe your book in 3 or so adjectives.

Beautiful, inspiring, a tribute to the quilters whose creations sparked my career.

What do you want people to take from your book?

I want them to feel inspired and to learn something. I want them to feel confident that they can take on something a bit more challenging than they have taken on before.

What was your favorite part of the bookmaking process?

I loved doing the research, going back through my files and old books and revisiting the quilts that were made a century ago, the ones that made me want to start my business in the first place. I feel driven to help people think about quilting in different ways, to see how quilts can be really modern, and to wipe away any musty, dusty stereotypes.

What was your favorite part of designing the quilts for the book?

I loved the early part of design phase when I felt like I had time to think a lot about what each quilt could look like, when I considered different fabrics, weighed all of the possibilities, and then narrowed down the choices and started making decisions.

I've been to your studio and know that you don't usually display finished quilts; I've only seen works in progress on your design wall. Why is that?

We don’t have a lot of room in the studio and I like to keep the walls clean except for the task at hand so I can really see what I’m working on. I usually don’t have the luxury of time to celebrate each accomplishment, and this is compounded by my tendency to always be focused on what’s next. So, finished work doesn’t have much of a chance to linger!

Do you display or use any of your quilts at home?

Right now I have two special-edition quilts on my beds at home: Tangerine Poppy in my room and Bone Snow in the guest room. I’ve been pretty attached to these for a while, but I’d like to start rotating in some new quilts.

I remember you telling me that you hand-stitched the Postage Stamp quilt and really enjoyed the process. What did you enjoy about making it?

I’ve always envied knitters because they can sit anywhere and knit and talk to people. If you use a sewing machine, you’re sort of tied to it. My machine is in the studio, so any sewing I do on it feels like “work.” It’s also a bit loud. Hand-sewing feels more reflective and quiet. Most of the quilts I do are quite large, but the Postage Stamp quilt is small and I could easily hand-piece it at home while watching a favorite PBS series. The blocks that make up Postage Stamp are tiny–each one is comprised of nine 1-inch squares–so I felt a sense of accomplishment as I went along and it didn’t take long to finish. A “scrappy” quilt like this is so much fun because you get to include tons of fabrics from your stash. Like most quilters out there, I have an extensive collection of prints, and I really enjoyed getting to use so many of them in this little quilt! 

Denyse's beautiful book. To see images of some of the quilts in it, including Postage Stamp, click here.

International Women's History Day is March 8

And we think this is a great time to say thank you to all of the women who have been sharing their knitting skills for centuries.
 

In My Grandmother's Knitting, Larissa Brown shares stories  from 26 of the most popular designers in the country about the grandmothers and other revered family members and friends who inspired them to knit.

In the quick video above,  Joelle Hoverson, Andrea Berman Price, and I talk about the role of knitting among women, past and present.

Do you want to show your appreciation for the person who inspired you to knit or a woman in history who has inspired you in some way? Here are some ideas:

--Tweet about her (or him) and use the hashtag #knittingherstory.

--Go to the My Grandmother's Knitting Facebook page and post a photo of yourself holding up a sign with the name of your teacher on it. Or check out the gallery of images already there (find out who taught kniterati like Kaffe Fassett and Clara Parkes how to knit) and post a comment.

--Post a photo on your own Facebook page or blog.

--Post a comment here (we always love that!)

--Or stick to the tried-and-true, old-fashioned way: Give her (or him) a call or send a note. Thank you, Merci, Muchas Gracias, etc. 

Knitters’ Favorite Valentine’s Day Gifts

Michelle Edwards' Valentines: Lelia, Meera, and Flory

What was the best gift you ever gave or received on Valentine’s Day?

Some of our authors share their personal favorites in a heartwarming roundup. Here’s wishing you and your loved ones a wonderful Valentine’s Day!

Michelle Edwards, A Knitter’s Home Companion 

The best gift I have ever received was due on Valentine’s Day in 1987, but arrived two weeks later: a healthy, robust gift of boundless love, my oldest daughter, Meera. Swaddled in a blanket I made for her, we brought her home. She gave us such love, joy, and wonder that soon we had two more daughters, Flory and Lelia. Each girl is our very special Valentine. (The story of Meera’s beautiful blanket continues in the first essay in A Knitter’s Home Companion.) 

Betty Christiansen, Knitting for Peace

For Christmas of 1997, I decided to knit my boyfriend, Andrew, a sweater. He and I had been dating for just under a year, and we shared many things in common, including an appreciation of the handmade. I thought if there ever was a boyfriend worthy of a sweater, he was it. Blissfully unaware of the “sweater curse”—and a little less careful about gauge than I am now—I bought my yarn and cast on. The sweater, knit in a beautiful sea blue and a complicated cable pattern, turned out several sizes too big for him. Still, he loved it and wore it proudly.

My best Valentine’s Day gift came just a couple of months later: an engagement ring. I’ve since learned all about the sweater curse, of course, and I’m happy to report that there are exceptions to that “rule.” And despite the extensive yardage required by the sweater, there was enough yarn leftover for a baby cardigan and hat. All three of our kids have worn them.

Melanie Falick, Weekend Knitting

My best Valentine’s Day gift started out as a present for a new boyfriend. We had been together since our first date in July, so when Valentine’s Day approached I decided I would surprise him by secretly knitting him a scarf. He didn’t know I could knit and, in fact, I really wasn’t much of a knitter. I went to The Yarn Company on Manhattan’s Upper West Side and stood in awe in front of shelves stuffed with the most beautiful yarns I had ever seen. I chose a tweed yarn from Tahki, made my boyfriend a scarf, and became fascinated by knitting: the beautiful fibers and colors, the techniques, the traditions, the way I could use it as a way to learn about other cultures and, in particular, about women. Since that life-changing experience over twenty years ago, I have written knitting books, edited a knitting magazine, and become the publishing director of the craft-book program at Abrams Books. I also married the boyfriend for whom I made that scarf. I thought that making the scarf was a gift for him, but it ended up being an amazing gift to myself. 

What is it that makes a handmade gift so special? Watch this video and get inspired:

 What was your favorite Valentine’s Day gift? Share in the comments below!

Introducing Craftcation--A New Conference for Indie, Crafty Business Owners

The internet offers us all sorts of information, resources, and even community, but here at STC Craft we're still big fans of a good, old-fashioned meetups. Whether we're hanging out with our friends and knitting at a coffee shop, taking a class at a local craft store, or attending a more formal event like VK Live or Alt Design Summit, we're just crazy about that face-to-face interaction with creative people. So, we were thrilled to hear about Craftcation, a new event happening March 22-23 in Ventura, California. The brainchild of Nicole Stevenson and Delilah Snell, Craftcation is a sure-to-be-inspiring conference for indie craft business owners who want to grow and maintain their businesses while building new skills. Tending to both the right and left sides of the brain, events on the schedule include business lectures and panels on marketing, social media, legal issues, and accounting, as well as hands-on workshops in subjects like sewing, canning and preserving, cooking, paper arts, and embroidery.

A few days ago we had the chance to ask Nicole (above right) some questions about her conference " baby" and here's what she had to say:

What inspired you to host Craftcation? How long have you been working on it?

When I started my own handmade business Random Nicole, eleven years ago in Los Angeles The Handmade Movement didn’t exist the way it does now. There were lots of people creating things in makeshift kitchen or dining room home ‘studios.’ Indie craft shows hadn’t surfaced yet. When I would meet a fellow maker at a farmer’s market, flea market, or church craft show where we were selling we would frantically exchange information on suppliers, places to sell, and the business side of crafting.

I started Patchwork Indie Arts & Crafts Festival in 2007 with my aunt and business partner Delilah Snell to provide a venue for emerging makers to showcase their goods. At our Patchwork shows Delilah and I noticed that same frenetic information-sharing between crafters that I’d engaged in when I began Random Nicole. We saw a need for an event bringing makers together to connect and share information.

Delilah and I were in Ventura last August scouting future Patchwork locations. We both realized that Ventura was the perfect spot for our dream event, an indie business and DIY conference and Craftcation was born. Since August, Craftcation has pretty much taken over our lives.

 Why do you think so many people are interested in developing craft-related businesses right now?

People are moving towards a more conscious way of living. We’re more aware of the impact our individual choices make on the world around us. We’re asking questions previous generations didn’t ask. How does buying a product made overseas affect our local economy? What materials are used to make the things we purchase and are those materials harmful for us or our environment? How is our food sourced and grown? Every single thing we spend our dollars on reflects our personal philosophies. Although we are in a recession many people don’t mind paying a little more for something if it’s organic or local. We’re beginning to live with less waste, which means maybe we don’t want to spend $40 on 3 T-shirts made overseas that may not stand the test of time but do want to spend $40 on ONE T-shirt that is made from sustainable bamboo, screen-printed with soy ink. and sewn by someone who lives in our town. Value is returning to handmade goods as well as to our time.

Technology has not only made the world ‘smaller’ but also made business more accessible. Anyone can go online and order business cards, open up a shop on Etsy, create a website or blog or learn how to sew. The internet has made it so simple for anyone to gain skills and put themselves out there.

The return to handmade things stems from this new way of living consciously coupled with convenient access to the tools people need to make, buy and sell things.

How did you choose the people who are speaking and teaching classes?

I connected with so many inspiring makers in my eleven years on the craft show circuit and through teaching classes at the brick and mortar studio/shop the craft kitchen that I owned. Delilah forged relationships through her eco-shop The Road Less Traveled, teaching workshops and her involvement in the Southern California food scene. Our seven years producing Patchwork also led to some lasting connections. We put together a list of everyone who we wanted to share their expertise with attendees at Craftcation and began sending emails.   

 Response from these craftelbrities was overwhelming and we’re proud to have industry leaders like Jenny Hart (Sublime Sticthing), Kathy Cano-Murillo (Crafty Chica), Cathy Callahan (Cathy of California), Evan Kleiman (KCRW’s Good Food), Aida Mollenkamp (host on The Food Network and The Cooking Channel) and 30+ more presenters.

What do you most hope attendees will get out the experience?

I want attendees to gain a better understanding of the business aspects of what they do and be able to implement what they learn into starting or growing their indie businesses. Garnering a sense of community with their peers and making lasting connections is also important. Building upon skills they already hold and learning new things in the hands-on craft workshops is fundamental to the Craftcation experience. Running your own business usually means working twice as hard for less money than if you worked for someone else, so I also hope attendees unwind and have fun at our community events like the BBQ Social, Happy Hour Meet & Greet, morning yoga, and '80s Dance Party.

How do you suggest that Craftcation attendees prepare themselves in advance so that they'll be able to get the most out of the experience?

Bring lots of business cards, a sample of your work, and be ready to take tons of notes. Research the presenters beforehand and prepare questions to ask them. This is an amazing opportunity to connect with leading industry professionals. Think about areas where you need help and outline what you want to learn so you can pick which workshops fit your needs. Bring clothes for cool nights and warm days, a banana clip and some leg warmers for the '80s dance party, and a bathing suit (the hotel is steps from the beach).

For more information about Craftcation visit  www.craftcationconference.com and get Craftcation updates on Facebook and Twitter.

The BUST Holiday Craftacular in NYC This Weekend!

We all know that handmade gifts are the way to make loved ones feel warm and fuzzy. Well, New York crafters, listen up: At this weekend's BUST Magazine Craftacular, at 82 Mercer St., you can not only shop 'til you drop for cute indie goods, but you can also create some DIY gifts of your own.

At The BUST DIY Guide to Life Lab there will be classes on both Saturday and Sunday afternoon on how to make friendship bracelets, bath bombs, terrariums, snow globes, and rad retro hairstyles. All projects are excerpted from The BUST DIY Guide to Lifeand authors/BUST magazine co-founders Debbie Stoller and Laurie Henzel will be on hand to sign copies of the book (which makes a great gift in and of itself). 

Here's the full schedule:

Pre-register online to reserve your space. Hope to see you this weekend!

Knitting for the Camera! A Star is Born

Back in August Andrea Berman Price (author of Knitspeak), Joelle Hoverson (author of Last-Minute Knitted Gifts and More Last-Minute Knitted Gifts), and I (Melanie) were each visited by a camera crew from Open Road Media. The crew's job was to film us talking about our passion for knitting and then create documentary-style videos with their footage (all of this part of our launch plans for our new digital knitting book initiative). Not surprisingly, each of us felt a little hesitant about our interviews and then self-conscious about the results. It was definitely a test of our self-confidence and groundedness. I asked Andrea to share her memories of the day she was in the hot seat. I'll share my story soon.

Cheers, ladies (left to right): my friend Melissa, Lily, Lisa, and Polly from Open Road, and me

You may not believe me when I tell you that even a florid extrovert can get nervous and tongue-tied when faced with a crowd or a camera.  I’m not sure I have ever been as nervous as I was on the day in August when the Open Road crew came down from New York to DC to capture me on pixels for STC Craft. 

The crew rolled up to my rowhouse in Washington, DC, just after 11am and began unloading black bags full of wires and lights in my living room.  I hid upstairs, I was so jittery. I let them have the run of the first floor to set up without me in the way. I identified the crew by their voices. I began to wonder: Were they knitters? Were they hungry? Could I connect with them? I was relieved they were all women, and highly competent. For some reason it seemed easier to talk about knitting on camera with a female crew; I felt as if they’d respect my passion for it rather than ridicule it. And I think they did.

The camera was set up in a corner, and a chair was placed in the middle of the living room floor. This was  going to be the hot seat.  The interviewer, sat facing me, next to the camera so I could feel like we were having a conversation, but I was mesmerized by the black lens. I rambled on about how I learned to knit, about patterns, why I think knitting is so great.  My hope was that there was a good editor back at the studio who could make this sound cogent in postproduction.  

“What’s your angle?” I had asked the producer a few weeks prior.  “Our angle is you,” said the producer.  Ack.   What is it about me that would be important to talk about? I could talk about teaching knitting, I could talk about pattern reading, and common pattern problems, but oddly enough for those who know me, I did not want to talk about me.

As friendly as the crew was (and they really couldn't have been friendlier), this was not like speaking to fellow knitters at a fiber festival, or my weekend knitting group, or to a group gathered at a yarn store event; the camera didn’t smile back.  I thought about what I really wanted to come out of the conversation. The message would be: The joy that knitting has brought to my life can be accessed and celebrated by all. A humble cause when you think about it, that a folk craft learned at a grandmother’s side, can fascinate, calm, and delight. I kept rambling, stopping, and asking the crew to let me re-take the questions.

This may seem a trumped-up aim for a humble craft, but I wanted to get across that knitting (and crochet) is a meaningful activity for so many reasons. We show love by making gifts, we celebrate friendship in knitting groups, we recognize the love in the connection when we teach others, and with those who taught us even after they are long gone.

I was tongue-tied all day long; the nervousness never left. How could I communicate this grand thought in a way that did not sound silly? If I was unfocused myself about what I wanted to say, how could I produce a cogent message with those lights in my face? By the end of the day, at least one of the crew talked about rescuing a long-forgotten project from the back of the closet. She tried on a soft, swirly shawl as we set up the last shot. I realized then that through all the fumbling and re-takes, that I might have hit the mark. I had chattered and pontificated all day, but my enthusiasm was (I hoped) inspiring a sometimes-knitter to reach for the needles and try again. Some of the comments I got from old friends on Facebook in the first days after the video released reinforced the feeling that the message had gotten through. The message was: pick it up again; knitting might just satisfy a vague need for centering, for creating, for connection. We popped a bottle of prosecco and the crew ran off to catch the train.  I was exhausted.  All I wanted to do was knit.

Click here to see Andrea's video.

About Last Summer

Last summer a friend helped me through a hard time. Among other kindnesses, she invited me to spend some time with her in Paris. While we were there, I tried to find a gift to thank her but nothing seemed quite right. Knowing how much she appreciates handmade, when I arrived home, I decided to knit her something. But what? What would be good enough? Right for her? Meaningful? I spent a long time seeking out a very particular mohair yarn in a very particular golden color for a scarf that, after several starts and restarts, I realized wasn't going to be right. In the meantime, I had posted a series of photos from my time in Paris on a wall in my office. What struck me most about Paris last summer and what I continue to be struck by everyday on my wall are the beautiful colors nearly everywhere. 

In the apartment where we were staying: 

 

 

Looking out my bedroom window:

 

On doors:


 In shop windows:

 

In gardens: 

 

On the street:


That cool lady wearing a pink shirt, with a man carrying a pink cooler behind her (and someone else in pink even further behind). That's my friend.  

 

And this is the scarf I made for her to say thank you and to remember our trip.  

Merci, mon amie.

Tell Us: Who Inspired You to Knit? A Guest Post from Larissa Brown

The second-ever Sock Summit was held in my home town of Portland, Oregon, last week, and it was the most joyful gathering of knitters I've ever seen. From flash mobs to fleeces, the convention center was overflowing with creativity and stuff. A huge marketplace showcased a world of gorgeous hand-dyed yarns from the tiniest dye company to Blue Moon Fiber Arts itself. I was introduced to MacKintosh Yarns and Black Trillium for the first time, got samples of gorgeous buttons from Lantern Moon, and made notes about several new yarns, including my favorite of the weekend—a linen-esque recycled denim from Kollage. A highlight of the summit was the final morning, when darling lambs were herded into the convention center and sheared onsite for the start of the Fleece to Foot team spinning and knitting race.

I was attending the Sock Summit for fun, but also as the excited author of a very new book, My Grandmother’s Knitting. The book features family stories, and even baby pictures, from 17 top designers. The book honors the people who made us the crafters we are today.

Looking around at the 6,000 summiteers, I figured that amounted to at least 6,000 inspiring teachers and mentors. I managed to capture the names of about a hundred of them, by asking 100 knitters to hold up signs.

It was kind of an odd request, and I’m shy, so I recruited my friend to approach those hundred people. Stevanie (of Pico AccuardiDyeworks) worked the room with a big stack of white paper and a fat black Sharpie. The assignment: Write down who taught you to knit or who inspired you. Then smile big for the camera.

So many people joined in, from the famous to the amazingly anonymous, it was impossible to get all their names. But I have recorded “on flim” the names of those who came before them, who inspired and nudged and supported them. Or in many cases, I have a smiling photo of someone who taught themselves to knit (there were lots of signs that said “Me!”)

Just a few proud knitters seen below include Clara Parkes, Emily from Portland’s Twisted yarn shop, Gryphon (of The Sanguine Gryphon), Shannon Okey of Cooperative Press with her sweet purple hair, Benjamin Levisay, designers Marnie MacLean and Star Athena, and bon vivant Franklin Habit. A highlight for me was taking Joan McGowan-Michael’s photograph with a sign honoring “her dear mom” Angelina, whose story and photograph are featured in My Grandmother’s Knitting. As I took Joan’s picture I could feel her love for her late mom. You can see her in the center of the mosaic. 

The photos are now on Flickr and Facebook, where more are joining them each day. Knitters from all over the world are adding their own.

All that is missing is you.

We’d love to get 1,000 knitters posting their photos on Flickr and Facebook by the time the book hits stores on September 1.

Please get out some paper and a Magic Marker and take your photo and the photos of your friends. We’d love to see your face and the name of that special person, and we’d love to know if you blog about it, Tweet it, or Facebook it.  There were 6,000 knitters at the Sock Summit. There must be at least ten times that number who have a special person to honor, right? Show us!

See the project on Flickr.

And on Facebook.

 

Fall 11 Books from STC Craft

While it's most certainly Summer 2011 outside, in our offices we're excitedly reviewing advances for Fall 11 books and actually working on books for Spring 12 and beyond. I've worked in publishing for over 20 years and I've always found it hard to keep track of the seasons. My first job was at a bimonthly food magazine where we worked on the holiday issue in July. I remember having this odd feeling in December, as though Christmas had already happened. A chocolate Santa or a party invitation would land on my desk and I would wonder: Didn't we already do this?

I love summer (how could anyone not enjoy a season so full of flip-flops and ice cream cones?), so I'm the last person to want to rush through it. But I can't help but think about the books that we will publish in September (Weekend Handmade, My Grandmother's Knitting, and Sewing Basics) and October (The BUST DIY Guide to Life and Custom Knits 2). Our Fall 11 flyer is complete (we worked on that in May) and we have posted the digital version here. So, I hope you'll enjoy looking at it, perhaps while leaning back in a lounge chair poolside. Tell us what you think in the Comments section. We'd love to hear from you. 

Spring Chickens and A Knitter's Home Companion

Michelle Edwards, author of A Knitter's Home Companion, lives in Iowa City. Like many crafters, she finds inspiration in her everyday surroundings. The idea to knit chicken egg warmers was hatched during one of her visits to Fae Ridge, a nearby fiber farm beloved by local yarn enthusiasts.

Of all the projects in her book, Michelle's chicken egg warmers might be the gosh-darn cutest. Boldly colored, with bright eyes and tiny beaks, these wooly birds make for playful guests at any breakfast table. 

And elsewhere. To celebrate the release of A Knitter's Home Companion, Iowa City craft shop Home Ec. is decorated with a brood of chickens made by local knitters.

What a wonderful way to be welcomed to the neighborhood.

Wishing you a beautiful weekend,

The STC Craft Team

Crafting for Dad + Free Book Giveaway!

Dads are kind of hard to shop for, right? Ask a typical dad what he wants for Father's Day and he'll likely shrug his shoulders and--with a smile, of course--say "I don't know." I don't think that they mean to torture us with their ambiguity. For many dads, it's simply a matter of not really having much of a wish list. Except maybe love, a little respect, and for someone to laugh at their corny jokes (or at least make fun of them). 

But for those of us who want to give a gift beyond love, respect, and laughter, we have to get a little creative. Lucky for crafty types, we've got creativity in spades!

For the knitters amongst us, look no further than Knits Men Want. As the subtitle states, it's all inclusive: "The 10 Rules Every Woman Should Know Before Knitting for a Man--Plus the Only 10 Patterns She'll Ever Need." A few photos from the book are shown below, including lots of quick-knits for Dad, and even a few dude-approved sweaters. And for another classic dad gift with a knitterly twist, try your hand at the Rusted Elegant Tie from Knitting Classic Style (shown above). Father's Day is June 19--just over a month away--so get out your needles and get crackin'!

 

For the non-knitters amongst us--or for those who are pressed for time--we've got more great ideas for handmade dad gifts. Shown below, clockwise from top left:

Gus's Dog Bed from Printing by Hand (A screen-printed fabric that is then sewn into a pillow--this is the perfect gift for Dad and his best buddy.)

Pickles from Alabama Studio Style (Several recipes for making homemade pickles for Dad. Perfect for sandwiches or for a Bloody Mary brunch on Father's Day.)

Hexagon Storage Bin from Modern Paper Crafts (A receptacle you can make yourself to hold anything from fishing rods to recycled papers.)

Pajamas for Everyone from Weekend Sewing (An easy-to sew project for every member of the family. If the Dad in your life is a lounger, this is the perfect gift for him.)

Story Time Clock from The Repurposed Library (A unique clock, perfect for Dad's den or office. Pick a book tailored to his interests (golf, baseball, computers, a volume of an outdated encyclopedia featuring the first letter of his initials, or maybe even an old cookbook for culinary types).

Decoupaged Fridge from Crafting a Meaningful Home (A cool way for Dad to remember his favorite city. Or if he's more of a nature guy, use maps from a hiking trail. If Mom won't let you decoupage the fridge, consider decoupaging him a tackle box or a stepladder...or something else that can stay in the garage.)

So, readers, we hope this post gets your creative juices flowing! Tell us which of these gifts your Dad would like the most in the Comments section and you'll autmatically be entered to win the STC Craft book of your choice (see the choices here). Enter by noon on June 1. Three winners will be picked at random and notified that day. 

For official sweepstakes rules, click here.